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Showing posts with label joining in. Show all posts
Showing posts with label joining in. Show all posts

Sunday, 9 December 2012

Would You Rather...live with a gerbil in a cage or a fish in a bowl?

Would You Rather...
John Burningham, first published 1978
Our edition: Red Fox, 1999


Would You Rather by We read it like this

Click above to listen to how we read and chat about Would You Rather...

Click here to listen to a "straighter" reading of Would You Rather...


The first person I gave John Burningham's Would You Rather... to is a very clever and charming girl called Ada, who just happens to be my goddaughter, but that has nothing at all to do with why I say she's clever and charming. She is. When her mother read it to her for the first time, she squealed with delight: "Mummy, this book is a bit RE-VOL-TING!" 

It is! It's revolting and raaather silly, and full of delightful, outlandish possibilities and hard choices.

The Text
Would You Rather... is simply a list of humorous and thought-provoking questions about choices. John Burnignham asks kids what they'd like outside their house (water, snow or jungle) and what they'd like inside (an elephant drinking your bath water, an eagle stealing your dinner, a pig trying on your clothes or a hippo sleeping in your bed), what they'd rather be covered in (jam, water or mud), what they'd rather be made to eat (spiders, slugs, worms or snails), how they'd rather be embarrassed (by your dad coming to school and dancing in front of your friends or by your mum having a row in a cafe) or where they'd rather be lost (in the fog, at sea, in a desert, in a forest or in a crowd). 

Does it sound silly? I've already said it is. And the pictures make it even sillier. But while the questions are primarily giggle-provoking, most of them are also actually quite interesting (and fun) to think about, discuss and provide arguments for one's particular choice. Would you rather be crushed by a snake, swallowed by a fish, eaten by a crocodile or sat on by a rhinoceros? The choice is far from easy and providing reasons for the choice is even harder. A series of fun, silly challenges that has delighted every child I've read it to (ranging from 3 to 7 years of age). 

The Illustrations
Of course, the text just wouldn't be as silly without the pictures. John Burningham's illustrations, with their characteristic looseness of line and effortless expression, add to the humour and manage to make the most outrageous or outlandish of ideas entirely plausible and natural. 

I'm sure you'll see what I mean: 


Yes, you might find a hippo in your bed tonight and a pig might want to try on your clothes tomorrow morning. What's new? 

Here's one of our favourite array of choices: 





How about that? We always try to find ways out of each of the predicaments above. In the recording, my son would rather be eaten by a crocodile "because a crocodile hunter would save him", and I say I'd prefer to be sat on by a rhinoceros because I'd tickle his bottom and he'd jump up.


In the following two, we love the boy's embarrassement:
 


And the last illustrations we're showing you here make a bunch of already crazy ideas simply hilarious. Please  click on them and check out the boy in the hamster wheel, in the fish bowl and in the parrot's cage.

 

Reading it out loud
Would You Rather... is not only a reading book, it's a wonderful chatting book too! It's a book for sharing ideas, laughs and the occasional secret trick for getting round such hard choices. The book simply cannot be read out loud without  the listener or listeners joining in and at least my experience is that participation with this one tends to go far beyond simply choosing your favourite option from the usually dire set of possibilities.

It encourages children to imagine other worlds, other scenarios, other possibilities and to talk about themselves in them. It also encourages them to give reasons, and look at advantages and disadvantages of different alternatives, however crazy. 

It was an absolutely instant hit (giggles guaranteed) from the very start but what I find particularly interesting is how our conversation is different every time we read it. The first few times we read it my son would give exactly the same answer to every question, and would expect me to do the same and I confess I feared this would be essentially a one-read wonder. But now he really enjoys changing what he says and making different observations each time we read it. The recording shows you one reading and one conversation, but it is likely to be completely different next time we pick it up. And that makes it great fun and a rather special book!

Other things we like about Would You Rather...
I like a book that asks what life might be like in a gerbil's cage. I can't help it. I also genuinely like the idea of having a koala bear to read to.

My son particularly loves the idea of helping Santa Claus deliver presents and of riding a bull into a supermarket.

Generally, we're great John Burningham fans in our household (Mr. Gumpy's Outing is a firm favourite, as is The Magic Bed and that wonderful little series of books published in the 70s including The School, The Cupboard, The Blanket and The Friend). 

(c) of all images, John Burningham, 1978
(c) of the text, Ellen Duthie, 2012. By all means copy it and reproduce it if you want, but please be nice and cite your source (author and site).

Saturday, 7 July 2012

Beware of the Frog: Gobble gobble!

Beware of the Frog by William Bee
Candlewick, 2008
Our edition: Walker Books, 2009






















Click above to listen to how we read Beware of the Frog

I forget exactly how many times my son begged me to read Beware of the Frog the first weekend after this book arrived through the post, but I do not think I'm exaggerating if I say about sixteen. Yes, I wrote s-i-x-t-e-e-n. The best thing about it is that I enjoyed it every time too. And we've all (including the boy's father) enjoyed it every single time we've read it since.

The out-loud giggles and squeals of delight -GOBBLE!- and slight fright -GOBBLE GOBBLE!- are quite something with this one.

It's a clever, fun, twisty, refreshing and humorously dark fairy tale picture book. Really and truly superb. 

The Story
Mrs. Collywobbles lives on the outskirts of a big dark scary wood in a little house, protected only by her little pet frog. Her frog heroically manages to deal with several bizarre-looking. ill-intentioned creatures that step out from the wood, wanting to steal from her (Greedy Goblin), stink her out of her house (Smelly Troll) or simply eat her up (Giant Hungry Ogre). Each of them arrives with a delightfully repeatable and confident warning chant, but the frog makes well sure that none of them get further than just past the gate. Clever repetitive suspense phrases build up to a GOBBLE! with the first, a GOBBLE GOBBLE! with the second and a GOBBLE GOBBLE GOBBLE! with the third. I normally don't bother about keeping suprise endings from readers of this blog, but the final, wonderfully executed twists in this book are worth keeping for the first time you read it. Laughs guaranteed.  


Did I say it was a love story too?

The Illustrations
Beware of the Frog is a beautifully designed book, where drawing, typography and layout all play an essential role in the overall result.


The illustrations for Beware of the Frog are hand-drawn with black felt tip pens, then scanned, coloured and rearranged on screen. The background is static, often using exactly the same image or the same image with minor variations, and the style of the characters ranges from simple lines and shapes for the very straight little old lady...


As more than one reviewer has already pointed out,
doesn't she look like she's just walked out of South Park?



... to irregular, scraggy or pointy features for the marvellous Frankenstein-like creations that appear from the wood (check out the colours of their nails!): 

Voilà Greedy Goblin.
Isn't that a super cart for transporting interesting stolen goods?





















Here's smelly troll, with his blue skin and black moustache.
What smelly things is he carrying in that case and in that rucksack of his? 

And here's Giant Hungry Ogre, fork ready in his hand

















































The frog has the most wonderful expression in his eyes. Here he is gobbling up Smelly Troll. Yum!

GOBBLE GOBBLE! 
Typography is played about with throughout the book, with varying font sizes, capitals and bold letters, and even as a decorative protagonist on pages all by itself: 






















I love the way Mrs. Collywobbles is so proper, so prim, such a stereotype of a kind old lady, setting us up for one of the big end surprises, where she acts so out of character that it adds to the surprise and induces the gasp.  Here's a fairy tale kiss:
















There is a lot of mirroring, with the front endpapers exactly the same as the back endpapers except for the colour scheme, from browny green to purply pink (and this is significant in the story). The back cover mirrors the front cover, literally, except again for the colour and, perhaps something else...

Don't you love the expression? 
























Reading it out loud
Beware of the Frog is an absolutely thrilling and hilarious read-aloud, for readers and listeners alike. The perfectly constructed suspense, with repetition and excellent page-turning pace, the silly, catchy chants of the funny creatures, each repeated twice:

Nickerty-noo, Nickerty-noo / if I get a chance, / I'll steal from you...

Welly-welly, Welly-welly, / I'm awfully slimy / and awfully smelly...

Dum-de-dum, Dum-de-dum, / I've got a very very hungry tum.  

... the squealy frights at the GOBBLE GOBBLE! the first time round that turn into joyfully anticipatory squeals on subsequent readings... make it an all-round winner! It's great, great fun to read out loud. 

The repetitive structure and phrases throughout help children join in after just a couple of readings and the rhetorical questions serve as a perfect pause and tension before the big frights. 

Might there even be a wink to Julia Donaldson and Axel Scheffler's The Gruffalo? "And his favourite food is... sweet old lady". My son thinks so and pointed it out. 


My son loves looking at the bits of creature sticking out the frog's mouth and saying 'Look, Mummy, he's gobbled him up, belt and all' or 'watch and all' or whatever happens to call his attention.

And he loves shouting out "HEY PRESTO!" at the first surprise near the ending. HEY PRESTOOOOOO!

It's always funny to see how different children react to the same book. I read it several times to two delightful twins more or less my son's age (slightly older), one boy and one girl, not very long ago, while we were staying at their place for a few days. It was funny how it also caught on from the very start, but slightly differently. The girl probably reacted similarly to my son, but the boy insisted he was scared and 'didn't like that one'. Of course, despite saying this he kept peeping through and listening from afar to the story while I read it to my son and his sister. I suppose he was discovering the thrills of feeling enjoyably scared. By the time we left, he no longer kept a distance and I even think he once asked for it himself, but he still kept up the "this is scary" game. 


I like Beware of the Frog. It's fresh, it's cheeky and it's funny.

I like to think that the frog was once her husband, a portrait of whom we can see through the window in the first image of the house, where Mrs. Collywobbles is patting her pet. 


Check out this interview over at Seven Impossible Things Before Breakfast.

(c) of the illustrations, William Bee, 2008
(c) of the text, Ellen Duthie, 2012. By all means copy it or reproduce it but please be nice and cite your source (author or blog) 

Saturday, 21 April 2012

Caps for Sale: Tsz, tsz, tsz!

Caps for sale. A Tale of a Peddler, Some Monkeys and their Monkey Business
By Esphyr Slobodkina, 1940. 
Our edition: HarperCollings Publishers. Reading Rainbow Book. 





Click above to listed to the way we read Caps for Sale. 


A retelling of a folktale, Caps for Sale brings us a perfectly circular story with repetition, chanting, funny noises, humorous body movements to go with the noises and... monkeys! Lots and lots of naughty monkeys! What more can you ask for?

Well, the idea of a nice nap in the middle of the day, anger and frustration one can identify with, humour and a bit of good old counting thrown in. Caps for Sale has it all!

The Story
A fabulously dapper peddler* with a wonderful moustache walks up and down a one-street village, with a tower of coloured caps for sale piled high on his head shouting 'Caps! Caps for sale! Fifty cents a cap!' Nobody seems to be interested in buying a cap though, so he decides to go for a walk, making his way out of town very very carefully so as not to upset the caps.

He eventually finds a large tree and decides to have a nap. He sits down and slowly slowly leans back onto the trunk. Then he checks all his caps are still there before drifting off to sleep. When he wakes up, he feels for his caps but they are all gone, except his own checked cap. He looks everywhere, but can't find them, until at last he looks up into the tree and what does he see? Sixteen cheeky monkeys wearing sixteen coloured caps smiling down at him.

In his attempt to get back his caps, he tries finger wagging (the monkeys wag back and answer "Tsz, tsz, tsz!"), fist shaking (the monkeys shake back and answer "Tsz, tsz, tsz!", and foot stomping (the monkeys stomp back and again say "Tsz, tsz, tsz!").

The peddler is now so desperate and angry that he takes off his checked cap, throws it down on the ground and starts walking away. But then what do the monkeys do? In perfect mimicry, they too throw the caps on the ground, and the relieved peddler recovers his wares, piles them back onto his head and walks slowly, slowly back to the town shouting ''Caps! Caps for sale! Fifty cents a cap!'

*I'm using US spelling 'peddler' here instead of the British 'pedlar' because the book is in US English and I wanted to avoid confusion. 

The Illustrations

Artist and illustrator Esphyr Slobodkina's original paint and paper collage illustrations for Caps for Sale come in a wonderful palette of orangey red, turquoise blue, mustardy green and ochre, with simple lines and figures for the peddler, the monkeys and the landscape.

They are vivid and memorable and the colours are a real visual treat.

Here are some of our favourite illustrations from Caps for Sale: 


The chap himself, his caps, the street. 


Time for a nap

Shaking a finger: "You monkeys, you,
you give me back my caps!"

Stamping a foot
Desperately angry
Caps recovered
Back to town slowly, slowly. 

For us, Esphyr Slobodkina's Peddler has become another character in our house-come-stage.

As an artist, Slobodkina was one of the founders of the American Abstract Artists (AAA) group. As an illustrator, she was the first person to experiment with collage in picture books and is considered to have had a great influence on subsequent picture book authors of such renown as Leo Lionni  and Eric Carle, to name two of the most obvious names. Read more about Slobodkina here.

Reading it Aloud

Reading Caps for Sale is great fun for readers and listeners alike. As I said in the introduction, it simply has it all. It has repetition, both in the circular structure (walking away from and then back to the village), and in phrases and chanting, funny noises and plenty of mimicable body movements that make it all even more hilarious for young children.

It's not only the finger and fist shaking and the foot stamping, it's also all that checking the caps ("then he put up his hand to feel if they were straight- first his own checked cap, then the gray caps, then the brown caps, then the blue caps, then the red caps on the very top") which is visually great fun, with the reader's hand stretching up and up and up to the top of the pile, or all that looking everywhere for the caps ("he looked to the right of him. No caps. He looked to the left of him. No caps...", and so on).

It's interactive in terms of joining in with the words: "you monkeys, you! You give me back my caps", and then the favourite: the monkeys replying "tsz, tsz tsz". But also interactive in terms of getting up and imitating the peddler, or the monkeys, depending on the mood.

There are also great opportunities to point out colours and to count. It's funny that the peddler is wearing exactly 17 caps including his own and that exactly 16 monkeys appear to pinch all except his.

All the "slowly, slowly" walking while balancing the hats, is also a great opportunity for fun and acting out.

"Caps! Caps for sale! Fiftly cents a cap!"

We love it!


What we like about Caps for Sale 

The fact that the peddler looks so very very smart adds to the humour of him losing it, with finger shaking, fist shaking and foot stamping included. We like that.

It has anger and frustration one can identify with (I'm talking adults and children here) but then brings out the humour and ridiculousness in getting angry. We like that too.


I particularly like the way Caps for Sale makes children shift who they identify with from the peddler to the monkeys and then back to the peddler. They identify with the peddler's loss first and then get seduced by the monkey's mischievous fun, before going back to identifying with the peddler getting his caps back and making it back to town. The fact that they identify with both peddler and monkeys is why they find it particularly hilarious.

Tsz, tsz, tsz!


(c) of all the illustrations in this post, Esphyr Slobodkina, 1940, copyright renewed in 1968.
(c) of the text, Ellen Duthie. By all means, copy or reproduce it, but please be nice and cite your source (author and site). 

Sunday, 4 September 2011

We're Going on A Bear Hunt: Hoooo woooo! Hoooo woooo!

We're Going on a Bear Hunt, by Michael Rosen (writer)
& Helen Oxenbury (illustrator), Walker Books, 1989.
Our edition: Walker Books, 1997.

Click on the cover to listen to the way we read We're Going on a Bear Hunt by Michael Rosen and Helen Oxenbury.


We're Going on a Bear Hunt is a family adventure of playful bravery, evocative noises and giggly fear.

The Story
Based on an old campfire song, We're Going on a Bear Hunt tells the story of a family (refreshingly, a father with four kids and a dog) that sets out one morning on an adventure to catch a bear. They are determined ("We're going on a bear hunt"), confident (We're going to catch a big one), optimistic ("What a beautiful day!") and fearless ("We're not scared").

On the way, they encounter all sorts of obstacles they "can't go over and can't go under" but just have to "go through", and, luckily, they all make interesting noises. These obstacles include a field of long wavy grass (swishy swashy), a deep cold river (splash splosh), a field of thick oozy mud (squelch squerch), a big dark forest (stumble trip!), a swirling whirling snowstorm (Hoooo woooo!) and finally a narrow gloomy cave (tiptoe! tiptoe!).

Waiting for them in the cave is the last thing they expect to find. An actual bear! They all turn around and run out, having to make their way back through all the obstacles in reverse order, making all those funny noises again, but far more quickly and with the bear running after them, back to their front door and eventually into bed and under the covers with the determination never to go on a bear hunt again.

The Illustrations
Helen Oxenbury's pencil and watercolour illustrations, alternating colour and black and white double page spreads, bring to life this family's day out, with a perfect rendering of that combination of excitement and contented exhaustion children tend to display on a day out.

We're Going on a Bear Hunt has wonderful movement scenes:

Splash splosh


Oh no! We forgot to close the door!

And just as great scenes of the family at rest in between obstacles:


We like the faces of them all when they enter into the cave:
Tiptoe! Tiptoe!




















And when they get to the bedroom. Aaaah!


Our son loves the scene where they are under the blanket, particuarly the head poking out in the bottom left hand corner and the safe teddy-bear the baby is playing with:















And we all like the last scene, of course, with the bear walking back alone, looking more like he's in need of a friend than a bite to eat:












Reading it Aloud
We're Going on a Bear Hunt is written to be recited or sung out loud.

We did not know the song it is based on and I confess we found it hard to find a comfortable rhythm to it at the very start. It somehow seemed to fall flat. However after a few readings, we made it our own and our son has loved it ever since (we bought it when he was around 15 months).

It has all the perfect elements to be read aloud to young kids: repetition (both words and rhythm), plenty of interesting sounds, and a sudden change in tempo which breaks the tension and brings on a wonderful comic effect that gets children giggling every time, before it all calms down again right at the end. And on top of all that, the chance -almost the compulsion- for the child to join in, with voice or body or both.

We sometimes read it "quietly" and concentrate on the sounds (like in the recording), or read it more actively, acting it out, moving our hands through the grass while we say swishy swashy, pretending to swim through the splash splosh, getting up and walking in the squelch squerchy mud and pretending to stumble and trip through the forest, before shivering through the snowstorm and tiptoeing into the cave and then doing it all in reverse order on the way back!

Whether we are reading it quietly or actively, we always move our arms to:

We can't go over it.
We can't go under it. 
Oh no!
We've got to go through it!


A couple of interesting We're Going on a Bear Hunt videos:

Check out this lightly animated version of the story:



And Michael Rosen himself telling it: 

(c) of all the illustrations in this post: Helen Oxenbury, 1989.

Friday, 24 June 2011

Rosie's Walk: Picture book perfection

Rosie's Walk, by Pat Hutchins. The Bodley Head, 1968.
Our edition, Red Fox, Random House Children's Books, 2009.













Rosie's Walk is, simply put, picture book perfection.

A single, plain, thirty-two word sentence sewn together with seven prepositions, tells us of a routine walk of a hen from her coop, across the yard, around the pond, over the haycock, past the mill, through the fence, under the beehives and back to her coop.  But combined with the illustrations? We get a whole other, rather more eventful story of the misfortunes of a very hungry fox who is chasing the oblivious hen on her routine walk and managing to get himself into one silly pickle after another.

We bought it for our son recently and he burst out laughing with every scene where the fox 'gets it' from the very first time we read it. A wonderfully silly giggly book, with loud laughter guaranteed.

The illustrations
Pat Hutchins' pen and ink drawings in Rosie's Walk are delightful compositions made up of intricate geometric patterns in different shades of orange, green and yellow.

Look at the fox's fur in this close-up (!):



The story opens with a double page spread showing the whole farm scene or obstacle course, depending on whose point of view you take:













And we are then taken on a visual tour around the farm with Rosie leading, the desperate fox following and us watching it all.

Here, the fox has almost caught up with Rosie:















But look what's in store for him!:











Voilà one of our son's favourite scenes:











And here's Rosie coming to the end of her walk, with the fox in the distance, running from the bees:



















Between, behind and beside the two-dimensional slapstick scenes, there are plenty of little details in the form of flowers, insects and other wildlife, including a wonderful onlooking goat, a rabbit, a snail, two toads who seem keen to be part of the action, a couple of mice, a beaver, a couple of grasshoppers and plenty of bees!


Reading it out loud
This book is more about sharing out loud than strictly reading out loud, as the text is kept to an absolute minimum. It's perfect for pointing things out, laughing and shouting out to the unaware hen. 'Watch out!' Plus, all the little details in every drawing make for plenty of conversation.

We haven't provided a recording for this one because every time we read it, we do it so differently!

What we like about it
I love that the story is absolutely no fun without the illustrations, but hilarious with them.

I like how it very cleverly and simply introduces the sophisticated idea of different perspectives (the hen, the fox, the reader).

(c) of all the illustrations in this post, Pat Hutchins, 1968. 

Saturday, 11 June 2011

The Tiger who Came to Tea: Owp!

The Tiger Who Came to Tea, by Judith Kerr, 1968. 
Our edition: HarperCollins, 2007. 
Click on the cover to listen to the way we read The Tiger Who Came to Tea. 

First published in 1968, Judith Kerr's The Tiger Who Came to Tea continues to be one of the best selling and best loved children's books in the UK. It was an instant hit with my son too when we bought it for him at around the age of eighteen months, and seems to be set to continue to be one of his favourites for some time to come.

The secret behind having remained a hit over forty years after its publication date, despite more than a couple of dated elements -some of which, such as the reference to 'Daddy's beer', rather amusing to refer to out loud- has to be the charming and surreal matter-of-factness and nonchalance of how the girl and the mother in the story let a tiger in to have tea with them in their kitchen.

The sudden appearance of this 'big, furry, stripey tiger' in an entirely routine mother-and-daughter scene is portrayed as exciting and fun, but at the same time, as something absolutely natural and fine. A tiger for tea? No problem, we can handle that. The mother and daughter are both part and onlookers of each of the scenes and this makes readers feel like they are also both watching and taking part. It draws you into a story and into the rather fun possibility that the doorbell could ring any time now and it just could be a tiger. How about that as a thought to entertain on a rainy afternoon?

The story
Sophie and her mother are having their afternoon tea in the kitchen when the doorbell rings. They wonder who it might be, but cannot think of who, so go to the door and see. 

When Sophie opens the door she finds a tiger who politely invites himself in: "Excuse me, but I'm very hungry. Do you think I could have tea with you?". Sophie's mother lets him in and offers him a sandwich. The tiger eats all the sandwiches on the plate in one big mouthful. 'Owp!', and, still looking hungry, proceeds to do the same with all the buns, all the biscuits, all the cake, washing it down with all the milk in the jug and all the tea in the teapot. He then looks round for more, until he eats every last bit of food and every last bit of liquid in the house, including all the water in the drains. 

He then, also very politely, says "Thank you for my nice tea. I think I'd better go now", and leaves.   

When Sophie's Daddy gets back, they tell him all about the tiger and what happened and he suggests they go out for a meal. So they go out in the dark, with 'all the street lamps lit' and eat in a cafe.

The next day Sophie and her mummy go shopping and remember to buy a tin of tiger food just in case.

The illustrations
  
Judith Kerr's ink and crayon illustrations use a warm palette of colours to achieve a marvellously expressive portrayal of a very remarkable experience in comfortingly familiar terms. 

Here are a few of the illustrations from The Tiger Who Came to Tea: 

The tiger sits down to tea

Drinking all the tea in the teapot
Drinking all the water in the tap

I must say I absolutely love the tiger's nice, cheeky face. 

And I love Daddy's matching tie and socks, here:



Reading it out loud

The Tiger Who Came to Tea is great to read out loud for several reasons. It has repetition (mainly with "all": all the tea in the teapot, all the packets in the cupboard, all the street lamps were on..."), dialogue (a chance to do different voices), and a wonderfully restrained and effective use of occasional rhyme (tea, be, key, see).   

There were several things our son loved about The Tiger Who Came to Tea from the very beginning, when he was about 18 months. He particularly loved: 1) the tiger eating everything up in one big mouthful: 'OWP!'-this has been used more than once as a mealtime encouragement and works wonders-, 2) the picture of Daddy holding his key: 'KEY!', 3) the image of Daddy arriving home and taking his hat off: 'Hello!' -we add in the 'Hello'-, 4) pointing out the sausages they are eating in the café and 5) the tiger playing the trumpet at the end: Good-bye--- Good-bye... Good-bye -we ended up buying him a wee toy trumpet as a result-.

From the point of view of the person reading it out loud, it's got a nice rhythm and flow to it and comfortably withstands more than a couple of consecutive readings. 

Bits and bobs

Lots of people seem to get upset about the mother being a bit of a 'drip', the tiger drinking 'all of Daddy's beer' and them having 'nothing for Daddy's supper'. It is true that even for the 60s, it's all a bit 50s. If it really upsets you, I suppose you can always change those bits or leave them out (but then would you change the meal at the end for something healthier than sasauges, chips and ice-cream too?). In the version that was published in Spain last year, they 'edited out' both those references to Daddy. On the other hand, you could also lighten up and enjoy the thrill of letting a stranger into your house. 

One of the things I love about the end of The Tiger Who Came to Tea is the sense of something special going on when they venture out of the house for dinner and it's dark outside. 'All the street lights were lit and all the cars had their lights on'. Almost as exciting as a tiger coming to tea.

If you are interested in reading more about Judith Kerr (also the author of the Mog series and of When Hitler Stole the Pink Rabbit), try these links here: 





(c) of all the illustrations in this post, Judith Kerr, 1968. 


Thursday, 21 April 2011

The Nutshell Library: Care!

The Nutshell Library, by Maurice Sendak, 1962. HarperCollins. (Includes: Pierre, a cautionary tale in five chapters and a prologue; Chicken Soup with Rice, A Book of Months; One was Johnny, A Counting Book and Alligators all Around, An Alphabet).
          

Listen to the way we read them:





The Nutshell Library is a collection of four miniature book gems that fit perfectly into little hands. Each of the four books that comprise it is also available in a larger format, but I think that misses part of the point as to why they are so much fun and why children take to them immediately.

We bought these for our son when he was about 21 months old and he has since had a full on love affair with all of them together and with each of them separately, in turns. His absolute favourite does seem to be Pierre though.

1. Pierre, a cautionary tale in five chapters and a prologue 


"I can eat you, don't you see?"
"I don't care!"
Described on the miniature dust-jacket as 'A story with a moral air about Pierre, who learned to care', Pierre is basically the story of a little brat whose reply to anything he is asked or told is: 'I don't care!'. Even when his parents leave him at home and a lion comes along and looks him 'right in the eye and asks him if he'd like to die', Pierre answers "I don't care!". So the lion eats him. 

Of course, all ends well, and eventually Pierre is shaken out of the lion in one piece by a doctor remarkably strong for his size.

Relieved that he isn't dead and wanting to be taken home, Pierre's answer to the lion's offer to give them a ride ('If you would care to climb on me, I'll take you there') is, to the great relief of his parents: 'Yes, indeed I care!!'. This delightfully playful short story in rhyme ends with a moral:

"The moral of Pierre is: CARE!"

Here are a couple of scenes from Pierre (don't you like the expression on his face?):
"Good morning darling boy,
you are my only joy"
"I don't care!"

"Don't sit backwards on your chair."
"I dont' care!"
"Or pour syrup in your hair."
"I don't care!"

What we like about Pierre
Pierre's effortlessly musical rhythm really is something special. The repetion of "I don't care" throughout the rhymed poem has a powerful effect on how the mind focuses on the rest of the text, and somehow learns it after just a few readings. In fact, Pierre is the first book my son learnt 'by heart' (if you stopped, he would fill in the next word). What was most remarkable was how quickly this happened (within a few days). Reading other reviews and comments, this appears to be a common occurrence with Pierre (and with the other Nutshell Library books too). I suppose you might just call it catchy, except that catchy usually refers to the refrain or a particular part of a song or poem. This is the whole thing!

I also love the refreshingly casual, playful and unthreatening introduction of the subject of death, already mentioned above, with the lion asking Pierre whether he'd like to die, and suggesting it might be a way of not having to put up with his parents.

"I can eat you, don't you see?"
"I don't care!"
"And you will be inside of me."
"I don't care!"
"Then you'll never have to bother-"
"I don't care!"
"With a mother and a father."
I don't care!"
[...] So the lion ate Pierre.


And then, at the end, when the lion gives "a roar and Pierre falls out upon the floor":

"He rubbed his eyes
and scratched his head
and laughed
because he wasn't dead".


I especially like the way Pierre gives brats a loving literary slap.




2. Chicken Soup with Rice, A Book of Months



'Each month is gay
each season nice,
when eating
chicken soup
with rice".









In this catchy, fun little ode to chicken soup with rice and its endless possibilities, a boy with an uncanny resemblance to Pierre takes us through a year of chicken-soup-with-rice madness, with a poem and illustration for each month of the year.

The scenes for each month include wonders such as sipping hot chicken soup with rice while slipping on the sliding ice, celebrating the boy's snowman's anniversary with "cake for him and soup for me", becoming "a robin lightly dressed" concocting soup inside his nest, pepping up some droopy roses with a drop of chicken soup (we love this one!), becoming a cooking pot cooking soup, riding a crocodile down the soupy Nile, becoming a whale and spouting hot soup and becoming a baubled bangled Christmas tree with soup bowls draped all over him.

Here are some of these great little scenes:



One of our absolute favourites!



















That refrain at the end is just so catchy!

What we like about Chicken Soup with Rice
We like the frolicking imagination in Chicken Soup with Rice: thinking it best to become a "robin lightly dressed concocting soup", becoming a cooking pot, and becoming a Christmas tree are fantastic images!

What our son liked best from the beginning was the song-like nature of it, sometimes clapping in rhythm to the end refrain. Merry once (clap), merry twice (clap), merry chicken soup with rice (clap clap clap).

This is his second favourite, after Pierre.

3. Alligators all Around, An Alphabet


Described as "An Alligator jamboree with all letters - A through Z", Alligators all Around is one of the best alphabet books ever. For parents, it's worth it for the "Never Napping" illustration alone (unfortunately I cannot find it online and do not have a scanner at hand, but will try to do something about it soon!). For kids (including very young toddlers) it's delightfully catchy, easy and pleasurable to learn by heart.

Alligators all around describes alligators doing a huge range of things, such as bursting balloons, catching colds, entertaining elephants, imitating Indians, looking like lions, throwing tantrums or wearing wigs.

Here are a few gems from this book:





What we like about Alligators all Around
My son loves the "entertaining elephants" ("elephants!"), the Imitating Indians ("Ow ow ow ow ow!") and the Looking Like Lions ("Roaaar!").

We just love the whole thing!

4. One was Johnny, A Counting Book
Cover illustration for One was Johnny

"One was Johnny - but that's not all,
count the others who came to call."

One was Johnny is a rather special counting book, in that it counts not only forwards but also backwards.





The first page features Johnny, another Pierre look-alike, sitting quietly and happily at home reading a book. On page two, a rat interrupts the peaceful scene:


1 was Johnny who lived by himself,
2 was a rat who jumped on his shelf.

A cat (3) follows the rat, and then a dog (4), a turtle (5), a monkey (6), a blackbird (7), a tiger (8) and a robber (9). Number 10 is a conundrum, what should Johnny do?

"Here's what I'll do - I'll start to count backwards and when I am through -if this house isn't empty, I'll eat all of you!!!".

And they all leave, one by one, until Johnny is finally alone again (at last!), and can go back to reading his book.

Here are some of our favourite illustrations from One was Johnny:

Johhny's first interruption

Half-way through the invasion
    

Full house

















What we like about One was Johnny
We like a character who enjoys being on his own, reading quietly in a corner, and the fact that not even the most extravagant of visitors is able to distract him from his wish to continue reading.

My son says bye-bye to each of the characters who leave during the countdown, waving and saying "bye-bye" to them all, except to the blackbird who flies off to Havana, whom he says "¡adiós!" to, in a funny Cuban accent. His father's doing, I'm sure.


Reading them out loud



All four of these books are a real pleasure to read out loud and -judging by the extended period during which The Nutshell Library was a non-negotiable part of bedtime for our son- something rather special to listen to too. These two factors do not always come together -some books might be good but do not withstand more than sixty consecutive nights of reading, at least from the adult reader's point of view-, and when they do happen to coincide, it feels almost exhilarating. 

The fact that they are all so catchy and kids learn them by heart after just a few readings, make them particularly enjoyable for them, allowing them to take an active part in the reading from a very young age and to continue enjoying them until they are about 10. They are fun on so many different levels!

Other comments

It is quite striking just how divorced US and European children's worlds are (used to be?). Neither my husband (despite a wonderful adaptation by Gloria Fuertes having been published in Spain in 1977) nor I had heard of this great little collection before. Ask anyone of our generation and background brought up in the US, though, and they are likely to be overcome by a wave of nostalgia and perhaps break out and start singing the rhymes to the tune of Carole King's 1975 hits from the musical Really Rosie -written by Sendak himself and partly based on these four little books-, or at the very least have a fond recollection of the half-hour animated TV special directed by Sendak, also with Carole King's music.  

We only discovered the animated versions and the Carole King songs a few days ago, when I was doing some research for this post, so our readings of them up until now -listen to the recordings-, have been "untainted" by these other versions. 

Take a look at the animated version of Pierre from the show aired on CBS TV, with music by Carole King (available on iTunes and spotify too -the name of the album is Really Rosie and contains songs to all four of the books in the collection). It's not great quality but it's the best I could find: 



Enjoy, and please do care!It was fascinating showing this to my son the other day and seeing him absolutely transfixed to start with and then breaking out into an uncontrollable giggle: "Pierre!"


(c) Copyright of all the illustrations in this post, Maurice Sendak, 1962. 
More reviews and readings of books by Maurice Sendak on We Read it Like This: